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	<title>Comments on: Chabon in The NY Times</title>
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	<link>http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/</link>
	<description>...making my own great leap forward...</description>
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		<title>By: David B. Williams</title>
		<link>http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/comment-page-1/#comment-50948</link>
		<dc:creator>David B. Williams</dc:creator>
		<pubDate>Mon, 07 May 2007 17:42:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/#comment-50948</guid>
		<description>I believe the barrier is essentially one-sided.  Almost from the beginning, strong elements in the SF field have sought mainstream respectability, without lasting success.  As a result, there is now a degree of defensive rejection on this side of the barrier.  Why should we bestow are highest honors on writers or film makers who won&#039;t show up to accept them, being too rich and important to care or too terrified of having their literary reputations tainted by association with that aweful sci-fi stuff?  Support of the barrier is on the mainstream literary side.  SF has become so prominent and popular that non-genre writers are willing to borrow some of our paraphernalia.  But they still want their novels marketed and reviewed as &quot;not really science fiction.&quot;  Being nominated for a Hugo would be so painfully embarrassing.</description>
		<content:encoded><![CDATA[<p>I believe the barrier is essentially one-sided.  Almost from the beginning, strong elements in the SF field have sought mainstream respectability, without lasting success.  As a result, there is now a degree of defensive rejection on this side of the barrier.  Why should we bestow are highest honors on writers or film makers who won&#8217;t show up to accept them, being too rich and important to care or too terrified of having their literary reputations tainted by association with that aweful sci-fi stuff?  Support of the barrier is on the mainstream literary side.  SF has become so prominent and popular that non-genre writers are willing to borrow some of our paraphernalia.  But they still want their novels marketed and reviewed as &#8220;not really science fiction.&#8221;  Being nominated for a Hugo would be so painfully embarrassing.</p>
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		<title>By: Stephen Dedman</title>
		<link>http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/comment-page-1/#comment-50454</link>
		<dc:creator>Stephen Dedman</dc:creator>
		<pubDate>Fri, 04 May 2007 05:19:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/#comment-50454</guid>
		<description>Successful in terms of mainstream kudos (including Oprah&#039;s book club), but in what other sense? &lt;i&gt;The Road&lt;/i&gt; left me pretty thoroughly underwhelmed: it could have been an important book fifty years ago, maybe even as recently as twenty years ago, but I thought it was less interesting thematically than Neal Barrett Jr.&#039;s &lt;i&gt;Through Darkest America&lt;/i&gt; and stylistically than Russell Hoban&#039;s &lt;i&gt;Riddley Walker&lt;/i&gt;. &lt;i&gt;A Canticle for Leibowitz&lt;/i&gt;, IMHO, is at least its equal on both fronts.

That said, I&#039;ve never minded mainstream authors &quot;playing in our sandpit&quot;. I&#039;ll happily recognize the achievements of Aldous Huxley, George Orwell, Marge Piercy, Michael Chabon, David Mitchell, Doris Lessing, even Margaret Atwood (despite her comments about the genre). But giving this a Pulitzer while Ray Bradbury&#039;s lifetime work is fobbed off with a &quot;special citation&quot;? Give me a break.</description>
		<content:encoded><![CDATA[<p>Successful in terms of mainstream kudos (including Oprah&#8217;s book club), but in what other sense? <i>The Road</i> left me pretty thoroughly underwhelmed: it could have been an important book fifty years ago, maybe even as recently as twenty years ago, but I thought it was less interesting thematically than Neal Barrett Jr.&#8217;s <i>Through Darkest America</i> and stylistically than Russell Hoban&#8217;s <i>Riddley Walker</i>. <i>A Canticle for Leibowitz</i>, IMHO, is at least its equal on both fronts.</p>
<p>That said, I&#8217;ve never minded mainstream authors &#8220;playing in our sandpit&#8221;. I&#8217;ll happily recognize the achievements of Aldous Huxley, George Orwell, Marge Piercy, Michael Chabon, David Mitchell, Doris Lessing, even Margaret Atwood (despite her comments about the genre). But giving this a Pulitzer while Ray Bradbury&#8217;s lifetime work is fobbed off with a &#8220;special citation&#8221;? Give me a break.</p>
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		<title>By: arthur c clarke award &#171; Uncle Zip&#8217;s Window</title>
		<link>http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/comment-page-1/#comment-50397</link>
		<dc:creator>arthur c clarke award &#171; Uncle Zip&#8217;s Window</dc:creator>
		<pubDate>Thu, 03 May 2007 13:14:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/#comment-50397</guid>
		<description>[...] Guardian Books write up the award here. &amp; this discussion is going to be all over the genre in the next year or so. &#8220;Actually, here’s a question: given that the most successful science fiction novel of 2007 was written by Cormac McCarthy, do we in the genre have the courage to recognise non-genre writers achievements in these areas? Or, do we just not like to see the mainstream playing in our sandpit?&#8221; The times are changing as slowly as ever, but whether we want them to or not.     Posted by uzwi Filed in nova swing, people [...]</description>
		<content:encoded><![CDATA[<p>[...] Guardian Books write up the award here. &amp; this discussion is going to be all over the genre in the next year or so. &#8220;Actually, here’s a question: given that the most successful science fiction novel of 2007 was written by Cormac McCarthy, do we in the genre have the courage to recognise non-genre writers achievements in these areas? Or, do we just not like to see the mainstream playing in our sandpit?&#8221; The times are changing as slowly as ever, but whether we want them to or not.     Posted by uzwi Filed in nova swing, people [...]</p>
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		<title>By: Mike Harrison</title>
		<link>http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/comment-page-1/#comment-50395</link>
		<dc:creator>Mike Harrison</dc:creator>
		<pubDate>Thu, 03 May 2007 12:27:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/#comment-50395</guid>
		<description>Ishiguro was invited, and he came. In person. Everything takes time, and this is just the beginning; but Jonathan is right. It&#039;s very much time these barriers came down (I don&#039;t even like the barriers metaphor, or any geographical metaphor, because it reinforces the idea of distinction). I just reviewed the new Palahniuk. It&#039;s a science fiction novel, and a very, very clever one; but it&#039;s also a very clever and funny literary novel which devours just about every principle sacred to literary novelists--ie, it&#039;s savagely fast and readable and trashy and cheap and just a lot of fun. If we must call them &quot;barriers&quot; let&#039;s get them down, but I&#039;d rather have some more fluid image of mingling and turbulence--it would be rather more contemporary than all this static stuff.</description>
		<content:encoded><![CDATA[<p>Ishiguro was invited, and he came. In person. Everything takes time, and this is just the beginning; but Jonathan is right. It&#8217;s very much time these barriers came down (I don&#8217;t even like the barriers metaphor, or any geographical metaphor, because it reinforces the idea of distinction). I just reviewed the new Palahniuk. It&#8217;s a science fiction novel, and a very, very clever one; but it&#8217;s also a very clever and funny literary novel which devours just about every principle sacred to literary novelists&#8211;ie, it&#8217;s savagely fast and readable and trashy and cheap and just a lot of fun. If we must call them &#8220;barriers&#8221; let&#8217;s get them down, but I&#8217;d rather have some more fluid image of mingling and turbulence&#8211;it would be rather more contemporary than all this static stuff.</p>
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		<title>By: deborahb</title>
		<link>http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/comment-page-1/#comment-50393</link>
		<dc:creator>deborahb</dc:creator>
		<pubDate>Thu, 03 May 2007 11:58:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.jonathanstrahan.com.au/wp/2007/05/02/chabon-in-the-ny-times/#comment-50393</guid>
		<description>&gt;do we in the genre have the courage to recognise non-genre writers achievements in these areas? Or, do we just not like to see the mainstream playing in our sandpit?

Personally, I find the disregard for genre barriers -- on both sides -- pretty darn thrilling. I&#039;m pleased as hell there&#039;s a post-apocalyptic novel receiving so much interest &amp; acclaim. The sheer expansion of possibilities for craft &amp; for audience is not to be dismissed!

Bam!</description>
		<content:encoded><![CDATA[<p>&gt;do we in the genre have the courage to recognise non-genre writers achievements in these areas? Or, do we just not like to see the mainstream playing in our sandpit?</p>
<p>Personally, I find the disregard for genre barriers &#8212; on both sides &#8212; pretty darn thrilling. I&#8217;m pleased as hell there&#8217;s a post-apocalyptic novel receiving so much interest &amp; acclaim. The sheer expansion of possibilities for craft &amp; for audience is not to be dismissed!</p>
<p>Bam!</p>
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