Tonight we discuss, as we do all too often, the beginning of the awards season, as well as the sometimes problematical Hugo category of Best Related Work, the question of authors who are so prolific that new readers may feel intimidated, and some of the parameters of who and who should not be covered in theÂ Modern Masters of Science FictionÂ series of books, of which Gary has recently assumed editorship.
Welcome to the first episode of The Coode Street Roundtable. The Roundtable is a new monthly podcast from Coode Street Productions where panelistsÂ James Bradley,Â Ian Mond, andÂ Jonathan Strahan, joined by occasional special guests, discuss a new or recently released science fiction or fantasy novel.
Adam Roberts’ The Thing Itself
â€œAdam Roberts turns his attention to answering the Fermi Paradox with a taut and claustrophobic tale that echoes John Carpenters’ The Thing.Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book – by the philosopher Kant.As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. The come to hate each other, and they learn that they are not alone.â€
Awards season is once again Â moving into full swing, with nominations now open for the Nebula Awards, Hugo Awards and World Fantasy Awards.
Having been fairly busy during 2015, Iâ€™ve been fortunate enough to help publish a number of what I think are really excellent works of fiction that I think are worthy of your consideration. It was a year when I edited or co-edited new novellas for Tor.com, a collection of Jack Vance fiction (Grand Crusades, the final book in the series of Vance reprints), twoÂ anthologies (see below), Â appeared on and produced than 48 episodes of The Coode Street Podcast episodes, and acted as reviews editor for Locus.
The anthologies, of which Iâ€™m very proud, are:
MeetingÂ Infinity (Solaris)
The Best Science Fiction and Fantasy of the Year: Volume NineÂ (Solaris)
As a guide, fiction in Reach forÂ Infinity is science fiction, in Fearsome MagicsÂ is fantasy/dark fantasy, and in Subterranean MagazineÂ is mixed.
Fiction edited in 2015
- Memento Mori, Madeline Ashby (Meeting Infinity)
- Aspects, Gregory Benford (Meeting Infinity)
- Rates of Change, James S.A. Corey (Meeting Infinity)
- In Blue Lily’s Wake, Aliette de Bodard (Meeting Infinity)
- Body Politic, Kameron Hurley (Meeting Infinity)
- Drones, Simon Ings (Meeting Infinity)
- Emergence, Gwyneth Jones (Meeting Infinity)
- Cocoons, Nancy Kress (Meeting Infinity)
- The Cold Inequalities, Yoon Ha Lee (Meeting Infinity)
- The Falls, Ian McDonald (Meeting Infinity)
- Exile from Extinction, Ramez Naam (Meeting Infinity)
- Outsider, An Owomoyela (Meeting Infinity)
- Desert Lexicon, Benjanun Sriduangkaew (Meeting Infinity)
- Pictures from the Resurrection, Bruce Sterling (Meeting Infinity)
- All the Wrong Places, Sean Williams (Meeting Infinity)
- My Last Bringback, John Barnes (Meeting Infinity)
- The Last Witness, K.J. ParkerÂ (Tor.com)
Editor, Short-Form (Hugos)/Professional Achievement (WFA)
- Jonathan Strahan (Meeting Infinity, The Best Science Fiction and Fantasy of the Year: Volume Nine, Locus [reviews editor], Grand Crusades)
I hope youâ€™ll consider supporting the talented people that Iâ€™ve worked with during the year.
I edit The Best Science Fiction and Fantasy of the Year anthology series for Solaris Books. The tenthÂ volume in the series will be published in May 2016, and the eleventhÂ will appear in May 2017.
I am currently reading for the 2016 volume, andÂ am looking for stories from all branches of science fiction and fantasy: space opera to cyberpunk, fairy tales to the slipstream, or anything else that might qualify. If in doubt, pleaseÂ send it.
This is a reprint anthology. Stories must have been published between 1 January and 31 December 2016 to be considered.
The submission deadline for this yearâ€™s book is:
Â 1 NovemberÂ 2016
Anything sent after this deadline will reach meÂ too late. If a magazine, anthology, or collection you are in or you edit is coming out before 31 December 2016 please send galleys or manuscripts so that I can consider the stories in time.
The eleventhÂ volume of the series is tentatively scheduled for publication in May 2017.
Where possible, I prefer to receive book-length worksÂ in print, but this is optional. Â Books, stories etcÂ can be sent to me via email. I prefer ePub, .mobi, .rtf or .doc files. PDFs are acceptable but not preferred. I strongly suggest that authors check with their publishers that they are sending review copies out to me, as I donâ€™t have the resources to follow-up every publisher to get material.
When sending material please put â€œBest SF/F of the Yearâ€ on the envelope.
P.O. Box 544
Mt Lawley, WA 6929
Email submissions, recommendations, or information on publications can be sent to me via email at:
jonathan.strahan (at) gmail (dot) com
- I am eager to consider work you are publishing. If you produce a magazine, chapbook, collection or anthology with any original stories in it please let me know. I am happy to accept email submissions. The most important thing is to make sure that I get to consider the best science fiction and fantasy published during 2016.
- If you are publishing online please emailÂ copies of stories toÂ jonathan.strahan (at) gmail (dot) com as early as possible. This is particularly important for stories published between October and December which may otherwise be overlooked.
- I do not need to receive manuscripts from authors of stories from venues that itâ€™s likely I already receive regularly (I get Analog, Asimov’s,Â F&SF, Interzone, Black Static, Postscripts etc, but not many of the smaller ‘zines and publications).
- Please do not send an SASE. This is not a submission, and Iâ€™m unable to return manuscripts or respond directly to stories sent to me.
- If I am considering your story for inclusion in Â TheÂ Best Science Fiction and Fantasy of the Year, I will be acquiring non-exclusive World anthology rights in English and foreign languages in print, audio and ebook.
For our first podcast recorded in 2016, beginning our sixth year, we discuss the remarkable career ofÂ David G. Hartwell, the role of editors in shaping science fiction, the forthcoming Hugo Awards nominations and MidAmericon, theÂ World Fantasy Convention, and the significance of science fiction of the the 1980sâ€”both as it appeared then and as it appears to us now.