At his best, Jonathan Carroll is a master at subtly and perceptively portraying the foibles of the human condition. You can see it in everything from early novels like Bones of the Moon and Sleeping in Flame to more recent work like The Ghost in Love and Bathing the Lion. And while heâ€™s not best known for his short fiction he has nonetheless managed to build quite an impressive bibliography. His fine 2012 collection The Woman Who Married a Cloud collects his slightly strange, intimate, and humane ruminations on the oddities of the human condition and is endlessly impressive. Although, perhaps â€œFriendâ€™s Best Manâ€ aside, heâ€™s not been widely awarded or applauded for his short fiction, his recent workÂ holds up remarkably well. I think a story like 2005â€™s â€œHome on the Rainâ€ shouldâ€™ve made awards ballots and would have made my own yearâ€™s best were conditions different, whileÂ novellaÂ Teaching the Dog to Read repays close attention.
Carroll can usually be depended on to produce a new work of short fiction every year or two, and they often stand out as being among the yearâ€™s very best. Which is why I was very interested to see his new short story, “The Loud Table“, appear at Tor.com today. It’s a really interesting piece, but I’m not sure it’s completely successful.Â Edited by Ellen Datlow, “The Loud Table“Â tells the story of four elderly men who meet every day at a local cafe to sit, talk, drink coffee, solve the world’s problems, and more importantly, to fill their long, empty days.
Carroll beautifully sketches in the quartet, touching movingly on the hard won matters of old age; the friends and loved ones lost to time or illness; the ravages time has wrought on body, soul and memory. And the unexpected friendships found late in life that fill long, lonely days with something that is fulfilling and worthwhile. Â The driver behind the story is that the quartet’s meeting spot is closing for renovations. For a month or two or three, these lost souls will be without a cafe to call home and they’re unhappy about it. They try this cafe, which is too loud, and that one, which has lousy coffee. Eventually it’s suggested they try a local gay cafe, the Tough Nut. They balk for a moment, but are surprised to find, opening hours aside, that it’s a wonderful fit where they feel welcome (it doesn’t hurt that the cake is good).
And then Carroll adds the second driver to the story. One of the quartet, Conrad, fears he may be suffering from Alzheimer’s Disease. When Tough Nut‘s much younger proprietor joins them for coffee one morning, they end up discussing what they miss, what they’d like restored that they may have lost in their journey from young to elderly men. Conrad can’t remember a long ago lover’s face, but he dearly wants to. It’s here that Carroll adds his intimations of mortality and for a moment the story sings. And then…
This is where you need to go and read the story. I’m not going to fill in the gaps, but Carroll makes some unexpected choices in telling his tale, moving it firmly into science fictional territory. I felt this part of the tale really doesn’t seem to fit what cameÂ before, and seemed both out of place and strangely old-fashioned. Almost like a slice of ’50s or ’60s Ray Bradbury dropped into the mix. I don’t think the story really recovers from this, moving it from being potentially wonderful to being oddly disappointing. I don’t thinkÂ “The Loud Table” ranks among Carroll’s best, or among the best of the year, but he’s always interesting and it’s worth reading.
I’m grateful to Datlow and Tor.com for the chance to read “The Loud Table“, but hope for something even better next time.