This week, with Jonathan hard at work compiling his yearâ€™s best anthology, we revisit one of the oldest questions about science fictionâ€”namely, what is it and how do you decide what to include or exclude from an anthology clearly labelled as science fiction?
Rather than trying to offer our own definitions, we discuss the problem of definition in general. Gary argues that the many definitions of SF could be classed as the functional (or purely practical, like Damon Knightâ€™s famous â€œwhat I point toâ€), the rhetorical (definitions designed to promote the importance of the genre), and the theoretical (lit-crit stuff). We agreed that such definitions tend to change over time.
That leads us into a discussion of the current state of space opera, and the question of whether the space setting is a defining feature, even when, as with Aliette de Bodardâ€™sÂ The Tea Master and the Detective, the plot is borrowed from mysteries. Â
Finally, we talk about some of our current reading. Gary mentions Rivers Solomonâ€™sÂ The Deep, which he sees as representing a fascinating collaboration between music and fiction since the central idea began with the techno-electronic duo Drexciya, became a Hugo-nominated rap by Clipping and is now Solomonâ€™s novel. Â Jonathan mentionedÂ Leah Bardugo’s bestselling new fantasy, Ninth House, which is out now andÂ which he recommends.
As always, we hope you enjoy the podcast. We’ll be back soon!