Call for stories: The Best Science Fiction and Fantasy of the Year Vol. 12

I edit The Best Science Fiction and Fantasy of the Year anthology series for Solaris Books. The eleventh volume in the series will be published in April 2017, and the twelfth volume will appear in March 2018.

I am currently reading for the 2017 volume, and am looking for stories from all branches of science fiction and fantasy: space opera to cyberpunk, fairy tales to the slipstream, or anything else that might qualify. If in doubt, please send it.


This is a reprint anthology. Stories must have been published for the first time between 1 January and 31 December 2017 to be considered.


The submission deadline for this year’s book is:

1 November 2017

Anything sent after this deadline will reach me too late, as I  deliver the final book to the publisher in late December. If a magazine, anthology, or collection you are in or you edit is coming out before 31 December 2016 please send galleys or manuscripts so that I can consider the stories in time.

Publication date

The twelfth volume of the series is scheduled for publication in March 2018.


Where possible, I prefer to receive book-length works in print (especially anthologies), but this is optional.  Books, stories etc can be sent to me via email. I prefer ePub, .mobi, .rtf or .doc files. PDFs are not accepted. I strongly suggest that authors check with their publishers that they are sending review copies out to me, as I don’t have the resources to follow-up every publisher to get material.

Postal address

When sending material please put “Best SF/F of the Year” on the envelope.

Jonathan Strahan
P.O. Box 544
Mt Lawley, WA 6929

Email submissions, recommendations, or information on publications can be sent to me via email at:

jonathan.strahan (at) gmail (dot) com

For publishers

I am eager to consider work you are publishing. If you produce a magazine, chapbook, collection or anthology with any original stories in it please let me know. I am happy to accept email submissions. The most important thing is to make sure that I get to consider the best science fiction and fantasy published during 2017.

If you are publishing online please email copies of stories to jonathan.strahan (at) gmail (dot) com as early as possible. This is particularly important for stories published between October and December which may otherwise be overlooked.

For writers

I do not need to receive manuscripts from authors of stories from venues that it’s likely I already receive regularly (I get Analog, Asimov’s, F&SF, Interzone, Black Static, Postscripts etc, but not many of the smaller ‘zines and publications).

Please do not send an SASE. This is not a submission, and I’m unable to return manuscripts or respond directly to stories sent to me.

If I am considering your story for inclusion in  The Best Science Fiction and Fantasy of the Year, I will be acquiring non-exclusive World anthology rights in English and foreign languages in print, audio and ebook.

Continue Reading

Awards Eligibility – 2016

Awards season is here once again, with nominations now open for the Hugo Awards.

Having been fairly busy during 2016, I’ve been fortunate enough to help publish a number of what I think are really excellent works of fiction that I think are worthy of your consideration. It was a year when I edited a novel and three novellas for Publishing, co-edited a collection of Alastair Reynolds short fiction, edited three anthologies,  appeared on and produced than 40 episodes of The Coode Street Podcast episodes, and acted as reviews editor for Locus.

Fiction edited in 2016


  • Drowned Worlds (Solaris)
  • Bridging Infinity (Solaris)
  • The Best Science Fiction and Fantasy of the Year: Volume Ten (Solaris)

As a guide, fiction in Drowned Worlds and Bridging Infinity are science fiction, as is Impersonations.  The three novellas are fantasy.


  • Beyond the Aquila Rift: The Best of Alastair Reynolds (co-edited with Bill Schafer)


  • Impersonations, Walter Jon Williams (


  • The Dream Quest of Vellitt Boe, Kij Johnson (
  • The Devil You Know, K.J. Parker (
  • The Last Wtiness, K.J. Parker (


  • “The Common Tongue, the Present Tense, the Known”, Nina Allan (Drowned Worlds)
  • “The Mighty Slinger”, Tobias Buckell & Karen Lord (Bridging Infinity)
  • “Who Do You Love?”, Kathleen Ann Goonan (Drowned Worlds)
  • “Cold Comfort”, Pat Murphy & Paul Doherty (Bridging Infinity)
  • “Venice Drowned”, Kim Stanley Robinson (Drowned Worlds)
  • “Brownsville Station”, Christopher Rowe (Drowned Worlds)
  • “The Future is Blue”, Catherynne M Valente (Drowned Worlds)

Short story

  • “Two’s Company”, Joe Abercrombie (
  • “Because Change Was the Ocean and We Lived by Her Mercy”, Charlie Jane Anders (Drowned Worlds)
  • “Rager in Space”, Charlie Jane Anders (Bridging Infinity)
  • “The Venus Generations”, Stephen Baxter (Bridging Infinity)
  • “The Story of Kuo Yu”, Peter S. Beagle (
  • “Six Degrees of Separation Freedom “, Pat Cadigan (Bridging Infinity)
  • “Induction”, Thoraiya Dyer (Bridging Infinity)
  • “What is”, Jeffrey Ford (Drowned Worlds)
  • “Inselberg”, Nalo Hopkinson (Drowned Worlds)
  • “Dispatches from the Cradle: The Hermit – Forty-Eight Hours in the Sea of Massachusetts”, Ken Liu (Drowned Worlds)
  • “Seven Birthdays”, Ken Liu (Bridging Infinity)
  • “Ozymandias”, Karin Lowachee (Bridging Infinity)
  • “Elves of Antarctica”, Paul McAuley (Drowned Worlds)
  • “Last Gods”, Sam J Miller (Drowned Worlds)
  • “Only Ten More Shopping  Days Left Till Ragnarök”, James Morrow (Drowned Worlds)
  • “Mice Among Elephants”, Larry Niven/Gregory Benford (collab) (Bridging Infinity)
  • “Travelling into Nothing”, An Owomoyela (Bridging Infinity)
  • “Parables of Infinity”, Robert Reed (Bridging Infinity)
  • “Sixteen Questions for Kamala Chatterjee”, Alastair Reynolds (Bridging Infinity)
  • “The City’s Edge”, Kristine Kathryn Rusch (Bridging Infinity)
  • “Monuments”, Pamela Sargent (Bridging Infinity)
  • “Apache Charley and the Pentagons of Hex”, Allen Steele (Bridging Infinity)
  • “Submerged”, Rachel Swirsky (Drowned Worlds)
  • “Drowned”, Lavie Tidhar (Drowned Worlds)
  • “The New Venusians”, Sean Williams (Drowned Worlds)

Editor, Short-Form (Hugos)/Professional Achievement (WFA)

  • Jonathan Strahan (Bridging Infinity, Drowned Worlds, The Best Science Fiction and Fantasy of the Year: Volume Ten, Locus [reviews editor], Beyond the Aquila Rift: The Best of Alastair Reynolds)

Best Fancast/Podcast

I hope you’ll consider supporting the talented people that I’ve worked with during the year.

Continue Reading

The Best Science Fiction and Fantasy of the Year: Volume 11

The year is racing towards its usual conclusion. Here at the ends of the world, as temperatures rise, deadlines loom and projects need to be finished so the New Year can begin.  The first thing to be done is finishing the latest volume in The Best Science Fiction and Fantasy of the Year series. Volume 11 has be to be delivered by the end of the month, which means moving from reading to writing. Introductions, notes etc.  And of course, the table of contents.

Here is the table of contents for this year:

  • “Two’s Company”, Joe Abercrombie (Sharp Ends)
  • “The Art of Space Travel”, Nina Allan (
  • “Seasons of Glass and Iron”, Amal El-Mohtar (The Starlit wood)
  • “Mika Model”, Paolo Bacigalupi (Slate)
  • “A Salvaging of Ghosts”, Aliette de Bodard (Beneath Ceaseless Skies, 01/03/16)
  • “Laws of Night and Silk”, Seth Dickinson (Beneath Ceaseless Skies, 26 May 2016)
  • “Touring with the Alien”, Carolyn Ives Gilman (Clarkesworld 115, 4/16)
  • “Red as Blood and White as Bone”, Theodora Goss (
  • “Even the Crumbs Were Delicious”, Daryl Gregory (The Starlit Wood)
  • “Number Nine Moon”, Alex Irvine (F&SF, 1/16)
  • “Red Dirt Witch”, N.K. Jemisin (Fantasy/PoC Destroy Fantasy)
  • “Whisper Road (Murder Ballad No. 9)”, Caitlín R. Kiernan (Sirenia Digest 125, 7/16)
  • “Successor, Usurper, Replacement”, Alice Sola Kim (Buzzfeed, 10/26/16)
  • “You Make Pattaya”, Rich Larson (Interzone 247)
  • “Foxfire Foxfire”, Yoon Ha Lee (Beneath Ceaseless Skies, March 2016)
  • “Seven Birthdays”, Ken Liu (Bridging Infinity)
  • “The Visitor from Taured”, Ian R. MacLeod (Asimov’s, 9/16)
  • “Elves of Antarctica”, Paul McAuley (Drowned Worlds)
  • “Things with Beards”, Sam J Miller (Clarkesworld 117, 6/16)
  • “Spinning Silver”, Naomi Novik (The Starlit Wood)
  • “Those Shadows Laugh”, Geoff Ryman (F&SF, 9-10/16)
  • “The Great Detective”, Delia Sherman (
  • “Terminal”, Lavie Tidhar (, 04/16)
  • “The Future is Blue”, Catherynne M Valente (Drowned Worlds)
  • “Everyone from Themis Sends Letters Home”, Genevieve Valentine (Clarkesworld)
  • “You’ll Surely Drown Here If You Stay “, Alyssa Wong (Uncanny 10, 5-6/16)
  • “Fable”, Charles Yu (The New Yorker, 5/30/16)
  • “The Witch of Orion Waste and the Boy Knight”, E Lily Yu (Uncanny 12)

Many thanks to all of the writers who are involved, and to their agents etc.  Dominic Harman, who did the covers for the first three books from Solaris, is back with another terrific cover. That will be revealed soon.  And, just as I’m finishing up this year’s book and I’m already reading for next year’s. Happily I’m contracted for a couple more years, so the series will continue hopefully for many years to come!


Continue Reading

Best Short Novels 2016 – An imaginary list

I may post about my picks for Best Novella of 2016 as we work our way through the ‘year in review’ period, but for the moment I was pondering what I’d put into my old Best Short Novels series, if I was still editing it for someone today.

After a bit of reflection I came up with the following list. I wasn’t restricted to Hugo length requirements, so one story is actually a long novelette, but this list would still come close to 200,000 words which is about right for the old series.

So, herewith, the fantasy contents for Best Short Novels: 2016.

  • The Dream Quest of Vellitt Boe, Kij Johnson (Tor)
  • The Ballad of Black Tom, Victor LaValle (Tor)
  • Every Heart A Doorway, Seanan McGuire (Tor)
  • This Census-taker, China Mieville (Del Rey)
  • The Charge and the Storm, An Owomoyela (Asimov’s)
  • The Devil You Know, K.J. Parker (Tor)
  • The Iron Tactician, Alastair Reynolds (Newcon)
  • The Best Story I Can Manage, Robert Shearman (Five Storeys High)
  • The Vanishing Kind, Lavie Tidhar (F&SF)
  • A Taste of Honey, Kai Ashante Wilson (Tor)

It surprises me a little, in this era of digital publishing, that none of these are available to read online.

Continue Reading

The Loud Table, Jonathan Carroll

The Loud Table by Jonathan Carroll (
The Loud Table by Jonathan Carroll (

At his best, Jonathan Carroll is a master at subtly and perceptively portraying the foibles of the human condition. You can see it in everything from early novels like Bones of the Moon and Sleeping in Flame to more recent work like The Ghost in Love and Bathing the Lion. And while he’s not best known for his short fiction he has nonetheless managed to build quite an impressive bibliography. His fine 2012 collection The Woman Who Married a Cloud collects his slightly strange, intimate, and humane ruminations on the oddities of the human condition and is endlessly impressive. Although, perhaps “Friend’s Best Man” aside, he’s not been widely awarded or applauded for his short fiction, his recent work holds up remarkably well. I think a story like 2005’s “Home on the Rain” should’ve made awards ballots and would have made my own year’s best were conditions different, while novella Teaching the Dog to Read repays close attention.

Carroll can usually be depended on to produce a new work of short fiction every year or two, and they often stand out as being among the year’s very best. Which is why I was very interested to see his new short story, “The Loud Table“, appear at today. It’s a really interesting piece, but I’m not sure it’s completely successful. Edited by Ellen Datlow, “The Loud Table” tells the story of four elderly men who meet every day at a local cafe to sit, talk, drink coffee, solve the world’s problems, and more importantly, to fill their long, empty days.

Carroll beautifully sketches in the quartet, touching movingly on the hard won matters of old age; the friends and loved ones lost to time or illness; the ravages time has wrought on body, soul and memory. And the unexpected friendships found late in life that fill long, lonely days with something that is fulfilling and worthwhile.  The driver behind the story is that the quartet’s meeting spot is closing for renovations. For a month or two or three, these lost souls will be without a cafe to call home and they’re unhappy about it. They try this cafe, which is too loud, and that one, which has lousy coffee. Eventually it’s suggested they try a local gay cafe, the Tough Nut. They balk for a moment, but are surprised to find, opening hours aside, that it’s a wonderful fit where they feel welcome (it doesn’t hurt that the cake is good).

And then Carroll adds the second driver to the story. One of the quartet, Conrad, fears he may be suffering from Alzheimer’s Disease. When Tough Nut‘s much younger proprietor joins them for coffee one morning, they end up discussing what they miss, what they’d like restored that they may have lost in their journey from young to elderly men. Conrad can’t remember a long ago lover’s face, but he dearly wants to. It’s here that Carroll adds his intimations of mortality and for a moment the story sings. And then…

This is where you need to go and read the story. I’m not going to fill in the gaps, but Carroll makes some unexpected choices in telling his tale, moving it firmly into science fictional territory. I felt this part of the tale really doesn’t seem to fit what came before, and seemed both out of place and strangely old-fashioned. Almost like a slice of ’50s or ’60s Ray Bradbury dropped into the mix. I don’t think the story really recovers from this, moving it from being potentially wonderful to being oddly disappointing. I don’t think “The Loud Table” ranks among Carroll’s best, or among the best of the year, but he’s always interesting and it’s worth reading.

I’m grateful to Datlow and for the chance to read “The Loud Table“, but hope for something even better next time.

Continue Reading