After Gary enjoyed a weekend at Readercon, we’re back with another one-on-one ramble that covers topics from the proliferation of SF awards (and what they really might be for), to some recent and forthcoming books we’re excited about (including Kemi Ashing-Giwa’s The Splinter in the Sky, Vajra Chandrasekera’s The Saint of Bright Doors, Wole Talabi’s Shigidi and the Brass Head of Obalufon, and Emily Tesh’s Some Desperate Glory), the question of whether anthologies might rightly or wrongly be seen as definitive, and the importance of supporting short fiction publications given some major changes facing the field in 2023.

As always, we hope you enjoy the podcast.

After an unplanned hiatus, we’re back with the wonderful Kij Johnson, who will be a guest of honour at this year’s World Fantasy Convention in Kansas City this coming October. Small Beer will publish a new collection of Kij’s work, The Privilege of the Happy Ending, to coincide with the convention.

We discuss the challenges and opportunities of teaching fiction writing in workshops versus university creative writing programs, how the workshop and the reading group have become so important to new writers since the early days of Kate Wilhelm and Damon Knight’s Milford, the different problems of writing short stories, novellas, or novels, the balance between estrangement and immersion in stories, and Kij’s own current and recent work, which ranges from experimental fiction to stories that revisit older writers like Lovecraft and Kenneth Grahame.

As always, Kij is bristling with good ideas, and we could easily have gone on for another hour.