For the 2023 instalment of the Very Coode Street Gift Guide, we invited some old friends to share their recommendations of books read in 2023:  Alix E. Harrow (whose very worthy Starling House was a favorite, officially excluded from discussion because of her participation in the episode), award-winning Locus reviewer Ian Mond, and distinguished novelist James Bradley, whose nonfiction Deep Water: The World in the Ocean will be out next year.

The books mentioned during the podcast are listed below.

James Bradley recommended:

• The Deluge, Stephen Markley
• Chain-Gang All-Stars, Nana Kwame Adjei-Brenyah
• White Cat, Black Dog, Kelly Link
• Translation State, Ann Leckie
• Some Desperate Glory, Emily Tesh

Alix E. Harrow recommended:

• Menewood, Nicola Griffith
• The Last Tale of the Flower Bride, Roshani Chokshi
• He Who Drowned the World, Shelley Parker-Chan
• The Magician’s Daughter, H.G. Parry
• Emily Wilde’s Encyclopaedia of Faeries, Heather Fawcett

Ian Mond recommended:

• Conquest, Nina Allan
• Terrace Stories, Hilary Leichter
• In Ascension, Martin MacInnes
• Him, Geoff Ryman
• I am Homeless if this Is Not My Home, Lorrie Moore

Gary recommended:

• Mr. Breakfast, Jonathan Carroll
• The Essential Peter S. Beagle (2 vols.), Peter S. Beagle
• Airside, Christopher Priest
• Lost Places,Sarah Pinsker (and also Monstrous Alterations, Christopher Barzak; Jewel Box, E. Lily Yu; & The Privilege of a Happy Ending, Kij Johnson)

Jonathan recommended:

• The Sinister Booksellers of Bath, Garth Nix
• Shigidi and the Brass Head of Obalufon, Wole Talabi
• The Saint of Bright Doors, Vajra Chandrasekera
• The Crane Husband, Kelly Barnhill
• Hopeland, Ian McDonald

The end of the year may be fast approaching, but this episode isn’t quite our usual year-in-review discussion (which will come up later), or our books-we’re-looking-forward-to episode. Instead, we spend some time musing about books we maybe should be looking forward to, if we only knew about them.

This raises the question of forthcoming novels that contain substantial fantasy or speculative elements, but that are marketed almost entirely as general or “literary” fiction. The examples Gary cites are The Other Valley by Scott Alexander Howard and Moon of the Turning Leaves by Waubgeshig Rice. (Of course, some of our favorites like Kelly Link also get this “mainstream” treatment, as with The Book of Love.)

This is turn raises the question of how we find out about new novels from the margins of the field, how we choose what we read when discovering an exciting new writer may mean forgoing a new novel by a favorite, and how to find a balance.

With plans for are promised chat with Elizabeth Hand and Alix E. Harrow on temporary hold, Jonathan and Gary share some pleasant memories of the World Fantasy Convention, muse about whether the nature of conventions has changed in the wake of the pandemic, and speculate about next year’s events in Glasgow, Niagara Falls, and elsewhere.

They then touch upon some books they’re looking forward to in 2024, including novels by Kelly Link, Nisi Shawl, Peter S. Beagle, and Paolo Bacigalupi, and some titles they’d recommend from 2023, including novels by Ian McDonald, Nina Allan, Geoff Ryman, Christopher Priest, Francis Spufford, Wole Talabi, and Nicola Griffith, as well as a few story collections, anthologies, and nonfiction books. By the end, it almost all comes into some sort of focus.

The 2023 World Fantasy Convention was held in Kansas City, Missouri over the weekend of October 26-29 2023. The convention was incredibly kind and generous and featured Jonathan as a guest of honour and Gary as a panelist.

During the weekend we grabbed long-time friends of the podcast Kij Johnson and Jeffrey Ford and attempted to discuss ‘the art of narrative’ or perhaps how you go about finding and telling a story.

The conversation was interesting and we hope you enjoy it. Our thanks to everyone at the Kansas City convention, but special thanks to co-chair Rosemary Williams and her spouse, both of whom went far above and beyond to make sure you got to hear this recording.

See you again soon!

Responding in part to some issues raised by Niall Harrison in The Los Angeles Review of Books, Jonathan and Gary discuss the value and purpose of year’s best anthologies, whether it’s even possible to still represent such a diversified international field, and how stories we read in anthologies frame our own reading experiences and help us discover exciting new writers. Needless to say, a lot of digressions leads us into some other topics as well.