With the Glasgow WorldCon just around the corner, Gary and Jonathan turn their attention to plans for the event. In addition to panel appearances, there’ll be a special live recording of The Coode Street Podcast where we are joined by Joe Haldeman, Gay Haldeman, and John Scalzi to discuss 50th anniversary of the publication of The Forever War.
Since rambling is unavoidable, there is also a brief discussion of how newer readers discover older SFF texts and writers, both in terms of short fiction and novels, anthologies like The Science Fiction Hall of Fame and Dangerous Visions series (which has been in the news because of the much-delayed publication of The Last Dangerous Visions,) as well as single-author collections like Harlan Ellison’s Greatest Hits. That somehow leads to a chat about how reputations are made and sustained, and Gary and Jonathan touch upon a number of contemporary writers—but you’ll have to listen in order to find out which ones.
We’re delighted to welcome a distinguished pair of guests, the legendary Michael Swanwick and writer and critic Alvaro Zinos-Amaro, whose book-length interview Being Michael Swanwick explores Michael’s entire career, and whose debut novel Equimedian has been described as a love letter to the SF of the ’70s and ’80s.
As usual, we wander a bit, discussing not only Michael’s life in SF, but how stories are generated, SF and the mainstream, influential editors, what it means to have a career these days,and a number of classic writers who probably ought to be remembered more than they are.
For any listeners who have missed our longstanding tradition of almost unfettered rambling, we turn our attention this week to the questions of how and why certain novels and writers seem to hold up better than others, how younger readers can enjoy some older classics while completely tuning out others, and the difference between books that celebrate old traditions as opposed to books that seek to reinvent the field, or that are simply sui generis.
We touch upon a few novels from 50 years ago, like The Mote in God’s Eye, The Dispossessed,Dhalgren, and The Forever War, books that seem to find new readers in each generation, and writers who seem to fade away with time.
Multiple Aurealis, Ditmar, and Shirley Jackson award winner Kaaron Warren joins us for this week’s episode, along with old friend of Coode Street and fellow Locus reviewer Ian Mond, mostly to discuss Kaaron’s wonderful new novel The Underhistory, how it does or doesn’t align with traditional genre categories, and what such categories mean anyway. Ian explains his notion of literary horror, and Kaaron suggests her intriguing concept of Gothic crime fiction. As always, the talk takes off in various directions ranging from short stories vs. novels, the challenges of publishing and marketing, and the growing awareness of Australian fiction on the world stage.
The distinguished Hugo, Nebula, World Fantasy, and Locus Award winner Paolo Bacigalupi joins us this week to talk about his forthcoming historical fantasy Navola, as well as the challenges of shifting from a focus on environmental SF to epic fantasy, the liberation that comes from being able to invent a world (and partly a language) that echoes Florentine history without being bound by it, the importance of following one’s own choices and needs in writing fiction, and his own earlier classics like The Windup Girl and The Water Knife.
We run a bit longer than usual, but that’s a measure of how fascinating it is to chat with Paolo.
