Schedules, attendances etc.

Well, I didn’t go to BEA, though it sounds like Gwenda, Matt and everyone else had a ball, and nabbed some great galleys. I also didn’t score an invite to the launch of the first ever Borders store in Perth, which opens this Friday. I will probably drop in on Friday at lunchtime to check it out, though. And, I won’t be at Conflux, which looks pretty crazy fun. That, however, is all okay. I’ve started ticking some stuff off my “to do” list. I don’t know that I’ll get to the far side of it by the end of June, but that’s still the goal. If I can be clear by June 30, then the rest of the year will still flow kinda on schedule.

I did read Tim Pratt’s story, “Impossible Dreams”, from the July Asimov’s last night, though. It’s a simple, sweet little story about a film buff who discovers a version of the classic little magic shop, a video store that stocks movies that were either lost or never made in our world. It’s a basic Twilight Zone kind of idea (something Pratt himself acknowledges in the story), but Pratt handles it beautifully. It’s not overlong, it doesn’t overplay or overcomplicate the idea: instead he tells it well, delivers the pay-off and gets out. It both stands amongst Pratt’s stronger recent stories, and is a second very good story in what is a top-notch issue of Asimov’s.

The look of Vance…

I’ve been engaged in discussions, considerations, and deliberations about all maner of things to do with Jack Vance of late (as regular readers will now). There’s been the matter of stories to be shortlisted, read, interstitial materials to be considered etc etc as the structure of The Jack Vance Treasury is sketched out.

Now, while the important details are known – it’s a 175-200,000 word book with a cover by Tom Kidd, an intro by George Martin and a foreword by Jack Vance – there are other details that I have been chatting with my co-editor about. The major one today is the illustration of Vance’s stories by Jack Gaughan.

As many of you will know, the late Jack Gaughan was a well-known and well-respected artist who did a lot of science fiction illustration in the ’50s and ’60s for the magazines, pulps etc etc. He illustrated a number of Jack Vance stories and novels, perhaps most famously both “The Dragon Masters” and “The Last Castle” for Galaxy in the 1960s. My question for Coode Streets with a Vancean bent is what are your thoughts on the appeal of the Gaughan Vance illustrations? Are they spot on, or do they miss the mark today? I’m curious to hear as many opinions as possible, so let me know and feel free to fire up the Vance telegraph and have the Vancephiles post to the comments thread.

Saturday and swimming…

Marianne’s away this weekend, so I’ve been hanging out with Jess and Sophie, with help from Nan. Friday afternoon/evening was slow and easy. Took the girls to a party with about 40 little girls dressed and pink and getting into the disco boogie thing. This morning Sophie went to dance class, and I took Jess to Unigym. She swam, as you can see.