I am fickle. I often want something desperately, right up until the moment anyone can have it. Then I lose interest. This is not a good thing, but I am a weak, fallible person and this is not the worst failing a person could have. Right now I’m craving Elizabeth Bear’s new novel, which a nice publicist could send me a copy of (hint hint
Monthly Archives: April 2006
The Monday Book
Every Monday morning Jessica’s teacher asks her class to report in on what they did on the weekend. While sometimes Jessica is a clear and energetic reporter about her activities, sometimes she struggles a bit. And so, The Monday Book was born. The idea is that each weekend Marianne, Jessica, Sophie and I keep a bit of a record of what we’ve been doing on the weekend, keeping track, taking photos and so on. On Sunday evening we then take the photos, place them in a Word file and add comments on what we did, what happened, and what was important over the weekend. The pages then get printed out and added to The Monday Book. We’re only getting started, but I think it should be fun, and good for Jess. The picture at right, the very first Monday Book picture, is of Sophie just after she returned from dance class. She’s showing off her new moves. And yes, parents find these things endlessly fascinating, and we realise others don’t. :)
Squidded
I wrote the post below for Talking Squid, but after this post I just couldn’t see a way to make it fit. Back to the drawing board!
Year’s Best Annuals and the Consensus View of SF
During the coming nine months ten companies will publish no fewer than nineteen separate books collecting the best science fiction, fantasy, horror, paranormal romance, noir, long, Australian, Nebula nominated, Tiptree shortlisted, and even overlooked stories that were published during the 2005* calendar year.
Now, given that trade journal Locus reported that it saw a record 3,000 short stories in 2005, and noted that even that represented only a small sample of the number of stories actually published, nineteen books collecting maybe 300 stories may not necessarily seem like a lot, especially given that a number of those books will appeal to quite different readers. And, if industry insiders might expect some kind of reduction in those numbers over time, it doesn’t explain the value of the year’s best annual. What interests me the most, as an editor of three different year’s best anthologies myself, is the role that these books play in defining what science fiction (or fantasy) is for the modern reader.
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